Looking back on 2019

As we usher out a year that I would describe as globally and politically tumultuous, and also one that has had a profound evolution on social issues, I consider how these factors have impacted my view through the lens. As a photographer, I believe the creative mission includes preserving the past, properly representing the present, and offering a visual interpretation of the future – very lofty words I know! What I saw change in front of my camera may very well affect all aspects of photography in the years to come, from fine art, to reportage, to advertising.

With that in mind, here is a quick snapshot of my year with the pun entirely intended.

I started and ended my year with the honor of presenting awards to two individual friends, both notably extraordinary women and each with a large sphere of influence.  I met both through my lens and over time that lead to terrific friendships, a magic power that the camera seems to have. In January, I presented Candice Swanepoel with the award for ‘Entrepreneurism’ at The Daily Front Row 5th Annual Fashion Los Angeles Award Ceremony in Beverly Hills. I admit I was glad to speak and present the award before fellow presenter Lady Gaga, as she would have been be a very hard act to follow! In December, I presented my dear friend, my nomadic collaborator and world-renowned designer, Donna Karan, with a Lifetime Achievement Award for Caring and Giving at The David Lynch Foundation Women of Vision 2019 Awards in New York. What Donna has done over the years to help others is simply indescribable. As I said in my introduction that day, if I were to create a voicemail greeting for Donna, it would just say, “This is Donna. How can I help?”

My fashion work took me from the Italian Alps to the top of New York City skyscrapers to more familiar studios in New York and LA. Of course, the locations were irrelevant to the outcome as I had the great fortune to work some of the best talent in the world, such as Kendall Jenner, Liu Wen, Joan Smalls, Georgia May Jagger, and Johnny Huang to name a few.

Currently, swimwear and lingerie are two of the markets facing the most disruption as brands search for the right ways to evolve with the profound social changes that are taking place. As a photographer, it is essential to understand how these changes affect products, marketing and the creative approach to both. As always, I learn the most about this space by listening to the people in the shots and asking what they find empowering in an image rather than dictating that. It’s an ultimate area of collaboration and respect between the photographer and subject and one that I cherish.

This year, I also continued building my ‘Backstage’ collection in my ‘spare time’. I had the extraordinary opportunity to cover Barbra Streisand in the days leading up to her one-night only show in legendary Hyde Park in London. Those unforgettable few days allowed me the opportunity to capture the quiet moments in her hotel suite with her beloved dogs to literally walking behind her as she took the stage in front of a vast crowd of 75,000 people on a perfect summer night. It allowed me a great glimpse into what it might be like to be one of the most famous and recognizable people on the planet.

My ‘Hero of the Year’ is undoubtedly Keala Settle. I became a fan after her jaw-dropping performance in ‘The Greatest Showman’ in 2018. Hugh Jackman introduced us during his global stage tour a few months ago and I was fortunate to be at Madison Square Garden when she performed her smash hit ‘This Is Me.’ I’m no talent scout but in Keala’s case I was floored by her performance, voice and energy. I reached out and asked (begged) for the opportunity to shoot together. We have since shot a portrait series that will be published next year (sneak peak below). Referring back to that magical power of the camera, Keala and I have since become good friends. A pure talent with a huge heart is the best description of her that I can muster. I am sure we will all be seeing and hearing a lot more from Keala in the upcoming year.

Another person who has had a profound impact on our industry is Rihanna, who recently launched her self-titled photo book. I was delighted to have my images amongst those included in this visual autobiography.

During the European Summer, I was proud to be the subject of a solo opening of my fine art portraits at Camera Work in Berlin, the gallery where my fine art career began. The show was titled ‘Icons and Angels’ and featured my works from as early as 2001 through the present. As an extra treat, Camera Work featured one of my works at Paris Photo, which is one of the world’s most premiere photography fine art events. I’m very excited about my upcoming 2020 show with Camera Work; a sneak-peak and a few words about that can be found via this link: https://camerawork.de/en/artists-russell-james/

2019 also marked the beginning of a new relationship with one of the leading galleries in the USA that I have admired from afar since I started photography, Fahey/Klein in Los Angeles. I was awestruck to walk in and see my photography hanging on the walls among some of the world’s greats like Irving Penn, Peter Lindberg and Mary Ellen Mark. When I search the web and land on their page and see my works, I’m sure it’s a Google error. You can find some of my featured works at this link: http://www.faheykleingallery.com/artists/russell-james/featured-works?view=thumbnails

None of this would have been possible without having the best representation in the world. 

In 2019 CAA (Creative Artists Agency) became my worldwide agency. The most dominant creative agency in the world, they represent many of the biggest names in Hollywood, music, sports and fashion. I am now one of four photographers to be represented by them. Big things are coming in this space in 2020. As the collaboration develops, you can read more about it via the link below:

https://wwd.com/fashion-news/fashion-scoops/exclusive-russell-james-signs-with-caa-1203395167/

Along those lines, David Maloney www.Maloneyartistmanagement.com made the poor business decision to join me as my manager. David comes with extraordinary experience and represents artists that I look up to such as Steve McCurry, Rankin and Michael Avedon. With David as my manager and CAA as my worldwide agency, I’m ecstatic about the prospects for 2020, beginning with a museum show in Russia and a major gallery show in London (more to come on both of those in January). 

I’ll close with a few words about a project I call ‘BELONG.’ My life story began in Western Australia with a very special connection to a place called the Kimberly Ranges. It is one of the most remote, prehistoric and beautiful places on earth. This year, I was given the most generous support that enabled me to create an entire art project centered on and inspired by Kimberly, my true roots to this planet. It will premiere in Fall 2020.

As this amazing and turbulent year comes to an end, I can’t wait to see what 2020 brings. No idea what happens next and I wouldn’t have it any other way. Bring it on!

From LA to London

I am proud to announce my new association with one of America’s most significant galleries, Fahey/Klein Gallery in Los Angeles. Select works of mine are now available at the gallery and on their website. They also have a limited number of signed ‘Angels Limited Edition’ books at the gallery. As I reflect on these selected works, it is quite interesting to think about the story behind each piece.

One of the first shots that stands out to me from Fahey/Klein’s collection is the Scarlett Johanson portrait. I photographed Scarlett right after her incredible portrayal of the character Charlotte in Lost in Translation. That film left such an astonishing imprint on me, and I was lucky enough to shoot her at this point in her career. This particular portrait has gone on to become a collector’s piece and is now only available as an artist print.

Another iconic piece that can be found in the Fahey/Klein collection is from my original Russell James 2008 collection, “Gisele on the Rocks.” The last time I saw this print was at a fine art auction, and it’s been some years since I’ve seen one. I took this shot on the Island of Virgin Gorda in 2004 during the most astonishing sunset. It was a memorable moment because it brought together so many things I love: the incredible female form combined with Mother Nature. This particular shot has gone on to become a collector’s item and is sold out in all sizes. However, we will be making it available as an artist print through Fahey/Klein.

Fahey/Klein is also carrying “Kendall in Treetops, Santa Barbara” from the Angels Fine Art Collection featuring Kendall Jenner. This shot was taken in a giant tree in Carpinteria, Santa Barbara. I believe this piece will be a heavily featured part of my works going forward, as again, it embodies so many elements I am inspired by -- the human form, mother nature, and wow, were those trees quite astonishing.

Fahey/Klein Gallery is located at 148 North La Brea, Los Angeles, CA 90036. More information on the gallery and my featured works can be found here. For fine art inquiries and the Angels 2018 Collection and Limited Edition book, please contact angels@russelljames.com or visit www.angelsbyrusselljames.com.

My Trip to London

Some 5,000 miles across the globe from Los Angeles, I had the great honor of taking a trip to London to work with Barbra Streisand at her performance in Hyde Park.

The trip brought together many things for me. I managed to arrive the day before the show and was able to catch the London Pride parade. It was very special for me because I had literally just left New York, and it was extraordinary to see that very same parade mirrored across the Atlantic. It was inspiring to witness the growing movement around the globe, and the powerful worldwide commitment to acceptance and progression.

The main event for me, Barbara Streisand at Hyde Park, was incredible. You know you’ve really made it when your guests are people like Lionel Ritchie and Kris Kristofferson. The lineup was just extraordinary, and I must admit, I had no idea how absolutely breathtaking Hyde Park is. To hear Barbara’s voice in that venue, and capture the candid backstage shots that go into an event that extensive was a photographer’s dream. I look forward to sharing more of this film in the coming months.

Wishing a happy summer and safe travels to all!

Camera Work

This week, I am proud to announce the opening of my "Angels and Icons" exhibition at Camera Work Gallery in Berlin, one of the world's leading galleries for contemporary photography and vintage master works. The exhibit includes a range of fine art portraits from the Angels 2018 Limited Edition book, along with selected works from my "Icons" portrait series. The collection, which features Cindy Crawford, Adriana Lima, Scarlett Johansson, Gigi Hadid, Kendall Jenner and many more, will be on display from April 13th through June 8th.

If you happen to be in Berlin this Saturday, April 13th, I will be hosting a guided tour in honor of the exhibition's opening day with an opportunity for you to ask questions and discuss the works in detail with me. The entrance and the guided tour are free of charge. If you are interested, please rsvp to rsvp@camerawork.de to reserve your spot, and I look forward to seeing you there!

Camera Work is located at Kantstrasse 149, 10623, Berlin. For more information on the gallery and exhibit, please visit their website. For inquiries regarding fine art and the Angels 2018 limited edition book, please contact angels@russelljames.com or visit www.angelsbyrusselljames.com.

Lingerie or Underwear?

Everyone wears undies.

This may seem like an odd statement. In the world of photography, you must have a clear understanding of the difference between lingerie and underwear, otherwise you likely won’t have many photoshoots in either category booking up your calendar.

As a former factory worker, my initial perspective on many aspects of life revolved around function. Cars were for getting you from point A to point B. Cabinetry was about having accessible doors and the right types of materials. As for underwear, it was probably about comfort and durability. (This is the closest I can come to a metaphor for how radically my perspective has changed to an appreciation for form over function.) In the case of photography, when something can be both beautiful and incredibly functional, it’s a home run.

When I was given my first opportunity to shoot lingerie, I wondered if I was the right candidate. It is a huge responsibility to be considered qualified and suitable for such a sensitive subject. I have a natural love of light, shape, and form, however I think the main attribute that has helped me succeed as a lingerie photographer is something less tangible. Having a whole lot of consideration, respect, and appreciation for the people on the other side of the lens makes all the difference. It’s a simple case of putting yourself in someone else’s shoes (or lingerie, as the case may be). I have incredible respect for the models in the lingerie world. We often share a genuine love for the genre, and it is fun to explore the wide range of emotions that you can apply, from playful to provocative, and any combination of both.

Opposite to what many may think, the last thing you want on set is to create any type of a sexualized environment. I have found the results are about equal with how much shared fun and enthusiasm was had on set. The mood is set up by everyone involved with the shoot from the stylist, hair and make-up artists, set designers, and, of course, the models themselves. The more you can create a cool and safe environment, the better the photographs will be.

Shooting lingerie is also about emotion and that gives you a wide range of lighting approaches. This month, I have shared a few Tips and Tricks on YouTube covering some of the things I have learned from shooting lingerie. However, a lot of the lighting and tips on how to approach a lingerie shoot can be applied to all kinds of portraiture. You can find the first of this month's "Tips and Tricks" here.

ART AND LINGERIE

There is a long history between art and lingerie photography. In some of the best examples, great lingerie photography has proven to be timeless. In the world of fashion, shots can expire by the sheer fact that fashion is about “this moment”. If it’s a product-focused image then the fashion takes over, which is fine if the shoot if for a fashion magazine. However, because lingerie is far more about emotion than product (or as one of my mentors would say, “we are selling hope, not soap”) it lends itself to something far more than product. To me, a great lingerie shot is not about a particular time, but instead, a precise moment. It’s a potentially confusing statement. When I look at a really strong lingerie shot by one of the masters, it is not the merchandise that is coming through—it is the emotion and sense of an instant in time. “Transporting” is the best word I have for it.

My very first lingerie shoot was with one of the greatest supermodels of all time, Stephanie Seymour. I had shot Stephanie for an Italian fashion magazine the month before. The next month, I was asked to shoot an advertising campaign with Stephanie for Victoria’s Secret. Since that time, I have shot extensive lingerie campaigns. In my first retrospective book in 2008, I had an entire section on the subject, and without a doubt, it greatly influenced my most recent work, the 'Angels' Limited Edition book and fine art series. One of the most significant women featured in the new book is Cindy Crawford, one of the greatest models of all time.

And my last word on the subject: In lingerie, there is only one critic that matters — the subject of the photograph.

Finally and most importantly, if you happen to be in Palm Springs between now and May 1st, I am proud to have my works from my 'Angels' Limited Edition on display at Imago Galleries, located at 45-450 CA-74 in Palm Desert. For inquiries regarding fine art and limited edition collector's books, please contact angels@russelljames.com.

Angels in the Desert

This week, I made a final visit to one of the hidden gems in the desert — Imago Galleries in Palm Desert — to review the installation for the Angels gallery show. I am presenting select works from my new Angels Limited Edition collection as well as the limited edition books. This book is limited to 1,000 copies worldwide, with 20 copies reserved for this special opening.

In addition to my work, there is also an extraordinary private collection currently on display at the gallery. Thanks to the trust and generosity of a private collector, there is a curated collection of supermodel Cindy Crawford photographed by photographic masters including Penn, Herb Ritts, and Helmut Newton. The photographs tell a tale of fashion through time, offering a visual explanation of the profound influence Cindy Crawford continues to have on modern culture. The works span some of the very first photographs of Cindy to my own recent photographs of her for Angels. Viewing my work in that room amongst those masters was a surreal and humbling experience. I would usually only expect to see a presentation of this nature in a major museum exhibit, and highly recommend a visit if you are fortunate to have an upcoming trip to the area.

For inquiries regarding fine art and limited edition collector's books, please contact angels@russelljames.com.

For those of you who may be visiting Palm Springs, Imago Galleries is located at 45-450 CA-74 in Palm Desert, and the exhibit will be open until May 1st. I look forward to being back at the gallery for the official grand opening event in the coming weeks.

Swimming in Winter

There is little that makes sense about my career path. I was a metal worker from Perth, Western Australia who now shoots high fashion magazine covers and has art exhibitions in Berlin, New York and other world capitals. I am a true fish-out-of-water.

Except for when it comes to shooting swimwear.

That genre speaks to every bit of who I am: my love for being by or in the ocean or sea, traveling to exotic destinations, and a job where footwear is definitely not required (and probably even foolish). Every element of that job is a part of my DNA, all I have to do is add in the amazing models.

In 1996 when I was asked to do my first-ever swim shoot with rising supermodels Tyra Banks and Eva Herzigova, I was slightly intimidated However, once I got the brief, everything made more sense than at any other time in my career. I am never as happy as when I have fine beach sand between my toes and water up to my waist or higher. And, of course, a camera in my hand. I have trouble containing my enthusiasm and acting like a grown-up. In fact, I have been told to not be quite as exuberantly cheerful in front of t he clients who hire me for swim shoots because I may be seen as having too much fun. Guilty as charged.

One of the ironies of the fashion business and most especially swimwear is that we are always shooting at the wrong time. In order for swim campaigns to be published in the spring, they need to be photographed in the dead of winter. This creates an eternal quest for the perfect summer. I am often seen in New York airports in the middle of winter in swim trunks, flip-flops, a t-shirt and sunglasses. I have probably been stopped a thousand times or more and asked, "Aren't your feet cold?". My standard is: "Yes but I am an optimist, the weather can only get better."

I feel very fortunate that my love of the sea, Mother Nature, and the elements prepared me well for this adventure. It has given me the inspiration to share some of what I have learned and to create a forum where people can ask for tips, so I have just launched my "Tips and Tricks" playlist on my Youtube channel.

I didn't have the privilege of a formal education in photography. My education came from the school of life and I've had the great fortune to be able to meet and ask some of the masters of photography. "Tips and Tricks" will include what has been passed on to me, or what I have learned by trial-and-error. It won't just apply to aspiring professionals. I realize we all love photography equally so I have added tips to include using your smart phone and another set meant for people who are more seriously invested in equipment. Please subscribe to "Tips and Tricks" which can be found here and I'll always let you know when a new series are launched. The first ten tips are from my swim experiences and they are out now.

THE ART OF SWIM

As I have traveled this amazing world with many of the most renowned models of our time like Gisele, Adriana, Candice, and Jasmine, I have found myself in stunning locations with extremely talented people who love the creative space of photography as much as myself. And being in such amazing locations, like Richard Bransons's Necker Island, St. Barts, or the Mediterranean inspires us all to "do something special". That wonderful formula has allowed me to capture private works of art exhibitions and books. In 2008, I published my first book, 'Russell James Retrospective.' In the same year, I launched my very first major solo art exhibition at Camera Work Gallery in Berlin. On the cover of that book is Gisele Bündchen, and that image and several of the swim images in the book have gone on to be some of my most collected works, which can be found on my Artsy page. This year as my art exhibits take place in different countries, I will make sure some of these first works are in the shows. I'll keep you posted as I get closer to the dates.

The end of 2018 also saw the release of my very first Limited Edition book, "Angels". Four years int he making and only one thousand copies total, I have been extremely careful about how and when we release each small batch. You will see the influence of 'swim' in some of those pages. I am planning to release the next 100 copies soon, in conjunction with my first art exhibit of 2019, which I will be announcing shortly. For more information and to order copies of the books as they are released, visit here.

As I start this year's shooting schedule, my very first project will be swimwear. I tried to act as though I wasn't too excited about it, however I think my fist pumping and air jumps might have given me away. I'll keep you posted on that shoot as soon as the images can be released. Meanwhile, if you would like to view some flashbacks to my various adventures in swim, I have put up a few videos on my YouTube channel, which can be found here. Some are quite serious and artsy, which may betray the amount of fun that was had.

I wish you each a great start to the year wherever you are. If you see me in the snow in flip-flops, don't worry. I have good reason to be optimistic that my toes will defrost soon.

Happy 2019!

The Release of the 'Angels 2018' Limited Edition Book

This week marks a significant milestone. After 4 years and many, many months of production (that sometimes included nail-biting moments) the  Angels 2018 limited edition book is finally being released.

Over the last four years, I have worked every spare moment on this passion project. I am filled with gratitude for everyone who made the Angels2018 limited edition book possible. To all the women who entrusted me to photograph them for Angels 2018 limited edition, I say “thank you”. It has, and continues to be, a great privilege and honor.

I’ve been involved in quite a bit of press surrounding the imminent release of this book, and always appreciate when someone takes the time to inquire about the perspectives of the most important people, who, in this case, are the amazing women featured in the book. I’ve included a recently published article from Esquire  below as it explains the conception of the book, along with the talents’ perspectives, both within the context our current social narrative.

The Angels 2018 limited edition pre-sale pricing offer will be available through 11/30. Beginning 12/1, the book will be available at the standard retail price. Thank you to my most loyal audience for your support on these particular projects of passion—I look forward to hearing your thoughts on the book.

Onward and all my best,

Russell James

WHY PHOTOGRAPHER RUSSELL JAMES DECIDED TO DO HIS NEW ‘ANGELS’ BOOK

By Madison Vain

Four years after his fine art collection Angels debuted to acclaim, famed Victoria's Secret photographer Russell James is back with a follow-up collector's edition. But the world this Angels project—a stunning ode to the female form, featuring Adriana Lima, Alessandra Ambrosio, Bella Hadid, Cindy Crawford, and dozens more—releases into is far different than the one that welcomed the book in 2014, as the #MeToo movement has been mobilized.

"I started to ask myself, am I tone deaf? Should I even be doing a project like this?" James admits. "But as I talked to some of the girls, they were like, to not do it, for them, felt like the opposite of what the social narrative was. They said, this is about us choosing when we'd like to do it, what kind of project we'd like to do it for. Especially Kendall [Jenner] and Cindy [Crawford, who also wrote the book's foreword] said, 'If I'm going to do something like this, I want to do it for art—something that feels good to me and not necessarily for selling a product.'"

Crawford's writing reiterates James' points: "Feeling safe with Russell is a testament to who he is as a photographer. He photographs women as beautiful and sexy, but never in a way that feels lascivious. Russell is the exact opposite of a guy trying to get you naked…yet, somehow, he manages to do just that. Maybe it’s the charm of his Australian accent, the spark in his blue eyes, or the casualness of his ever-present flip-flops, but he effortlessly manages to walk that fine line.”

The massive scale of the project meant it took over four years to complete.

"It was actually the first time I'd gone about doing a curated point of view on one subject," says James. "It was 2014 when I started it and then I had to be opportunistic about when the talent was available and when I had the right resources. I was shooting almost up to the day that I did the exhibition [in New York in September] and announced the book."

He embraced collaboration.

James wanted the women to plan the shoots, as much as they wanted: "The second time Elsa Hosk and I shot, in the city in Manhattan, I had a studio full of props and toys and she went about constructing everything from the hair to the waist to the shoe. It was fun to be a part of it."

Cindy Crawford makes him as nervous as she makes you.

"We actually shot twice," James says. "I [originally] shot Cindy and I had a lot of styling. I was probably being overly conservative." He adds, "I'm a little intimidated by Cindy because she's an icon. All bow down to Cindy. But as I was about to publish [the original shoot], we had a conversation and I said, 'What if we shot again?' And she was like, 'What about a sheet?' I thought that was genius—and extremely confident."

Kendall Jenner’s shoot was the most challenging, but not for reasons you’ expect.

"If there's Kendall Jenner, you're going to the beach, and there's nude scenes involved, you face incredible challenges," says James. Jenner's omni-present tail of paparazzi, of course, presented the main hurdle. "There were shots that I wanted to do of her where she would climb up to the top of this incredible tree that was on the coast—but how the heck do I do that and not get compromised? I was trying to do one of the most open shoots with one of the people that was under the most intense sort of scrutiny. [But] I showed her and she was like, 'Get me up there. I'll do the shot.'"

He got the luckiest with Sara Sampaio.

"It was just a matter of perfect timing," James says of his shoot in St. Barts with the 27-year-old Portuguese model. There was perfect blue water, perfect blue sky. She was at the right place at the right time, so there was that kind of opportunity to get photographs that I don't think I could have planned for a year and actually pulled it off.

And having Candice Swanepoel on the cover was a victory for both James and the supermodel.

Swanepoel has given birth to two children in the last two years, and the Internet hasn't always been kind to the 30-year-old regarding her body. James wanted to celebrate the phase of life she's entered: "I shot her four weeks after the birth of her second child," James says. "[She] is the ultimate hippie and just a beautiful soul. And, literally, I've had instances in my career where I took photographs of Candice in swimwear and then we had people saying 'you shouldn't retouch the women to look like that because it's unattainable'—which I entirely agree with—and I've gone back to the photograph and there's not not a bit of retouch on her. Sometimes Mother Nature just does what she does."

Respect is the foundation he built his career on from the beginning.

"The net sum of it all," he explains, "is regardless whether I'm shooting nudes or I'm shooting a person fully clothed just as a portrait, I've always wanted them to feel comfortable." The results are better, as well, that way, he says: "I get the best pictures when people feel comfortable. I mean, I even ask people what music they'd like to have on. You want people to really embrace what you publish. I want them to feel a part of it as much as I was."

For any inquiries on pre-orders of the Angels 2018 limited edition book, the publishing team can be reached at angels@russelljames.com. Visit www.angelsbyrusselljames.com for more information.

Almost Time to Head Backstage

After being abroad for two years, the Victoria’s Secret Fashion Show is returning to what I consider its natural home – New York City. VSFS 2018 will take place this week, and is building to be perhaps the most significant show that I have ever seen. And I’ve seen a lot!

In some ways, I feel that we have only just departed from Shanghai, where last year’s show took place. The show is truly a 365, 24/7 proposition. I am consistently amazed by the amount of production, organization, planning, and commitment that it takes to put on this extraordinary show every year.

This year is very much about returning superstars. We have Candice and Behati who had been away creating beautiful families, as well as the return of Kendall and Gigi, along with others who were unable to travel to Shanghai last year. There will also be some first-time appearances of new faces destined to shape upcoming years in the fashion, modeling and beauty industries. On top of that, I’m beyond excited about the music talent that’s about to be on the stage.

Late last year, I released my book Backstage Secrets that reveals intimate moments backstage of the Victoria’s Secret Fashion Shows, where no other cameras have gone. In it, I refer to "a decade behind the scenes,” but in fact, it’s closer to two decades behind the scenes (I guess I’m just embarrassed to show my age).

The book was in constant edit for years because, as all things in life, this show is epic and continuing. When I finally launched Backstage Secrets, it quickly became one of the most exciting publications I have ever done.

For Backstage Secrets, I had a very specific goal in mind– I wanted it to be accessible to a wider audience because the content was something I really wanted to share. I know this may sound opposite to the principles of the art business but sometimes, in order to bring something you are truly passionate about to the market, you have to find the most economical vehicle to do so. I was able to leverage my connections with the great publishers, printers and retouchers I have been so fortunate to work with over the years to have a beautiful book at an affordable price. This was very important to me because I feel, in some regards, that art and particularly fine art photography books have become so expensive that many people don’t get the opportunity to enjoy them.

As I head backstage at the VSFS 2018 this week, I’m in awe at the assemblage of the world’s most amazing models and the equally amazing musical talent that will be gracing the stage. If I don’t see you there, I’ll be sharing my backstage view via social media. Looking forward to a great VSFS 2018, and I’m sure someone is already planning VSFS 2019!

The U.S. Launch of 'Backstage Secrets'

In the world of fashion photography, having the luxury and privilege to work on a private project is rare. Most of my time is occupied by doing what I love, which is creating images for brands and magazines. However, when I see the opportunity to dive into a personal project like my new Backstage Secrets book and fine-art collection, I am like a kid near a beach on vacation, spending every minute I can on it.

Once you complete a personal project and work of pride, there is a stark reality to confront. As an artist, we do not have the resources of a brand or magazine to promote the project. It is a real challenge to find ways to reach a lot of people and tell them how and when to catch an exhibit, where to buy a book, or to just let them know that you have finally completed a private project that you are excited to share. Of course, there is social media but that is nothing in comparison to a brand that can buy magazine advertising and television commercials, reaching their audiences in a variety of very expensive ways. At those moments, I have great “brand envy” and a lot of respect for how hard they have worked to be able to do that. Despite perception, most private projects by photographers and other artists are usually lost in the noise.

Unless you happen to have a group of amazing friends whose generosity and support leaves you humbled, surprised, and amazed by their support and belief. And, who all happen to have a global audience and are willing to take time out of their incredibly busy work schedules to help you celebrate that milestone. Which is exactly what happened this past week. I co-hosted a launch event with one of my “besties” Ed Razek. Were it not for Ed, there would be no Backstage Secrets. As creative leader of Victoria’s Secret, he has given me access that can only be dreamed about. In fact, it was 2016 when we were standing in Paris after one of his extraordinary fashion shows when he said, “You must have shot more behind the scenes of Victoria’s Secrets shows than anyone alive. Why don’t you do a book?” So, I did.

I know I speak for Ed and myself to write that we both felt very privileged for the kinships we have formed as people who I have shot and are featured in the book walked through the door at this past week’s U.S. launch event. Those who were in other cities or countries sent videos, notes, or messages on social media. It’s at moments like that when the word “family” takes on an extended meaning.

During the day and evening of the event, I did many interviews and one of the most common questions I was asked was how I would summarize the book. It made me think beyond the obvious that it was just backstage photography. I realized that this book is about friendship—all the special friendships formed in our highly unusual “family” as we have been on this extraordinary journey together.

With that in mind, I just want to thank some of the many people who came to help tell everyone that I “did a book.” For the many hours, days, weeks, and months of work that the book took to edit, and the near twenty years it took to photograph it, it was all worth it for that one perfect day. Thank you!

Backstage Secrets

When I was asked to appear on Good Day New York to talk about my book Backstage Secrets this week, I didn’t want to ruin a perfectly good day for the viewers. I asked my industry buddy Martha Hunt if she might join me, and to my very good fortune, she did. Who better to help me give the audience a balanced view of what it’s like to be backstage at the biggest fashion show on Earth, The Victoria’s Secret Fashion Show. The stars of the show are the powerful women like Martha who walk the runway. However, there is a myriad of incredibly talented people that assemble each year to make this extraordinary event happen. Backstage Secrets is my attempt, through over a decade of photography and unique access, to bring the audience into the heart of the backstory. Martha was the perfect person to explain the controlled chaos from the models’ perspective.

Martha Hunt, London, 2014 from Backstage Secrets

Martha’s success as one of the top models is made especially great because it almost didn’t happen. She had to endure more blood, sweat, and tears than most of us could ever imagine because she developed scoliosis as a teenager, which was initially poorly diagnosed and under treated. She eventually endured a radical and dangerous surgery on her spine. Martha wears her scars with pride and as proof that anything is possible. I’m so impressed by the inner strength that Martha used to become the gold standard in her profession: a Victoria’s Secret Angel.

Martha Hunt, Karlie Kloss, and Lily Aldridge and I at the Shanghai Book Launch of Backstage Secrets

When Martha and I were speaking about this week’s TV appearance, she asked if there might be a way we could also offer some help to a charity close to her heart that focuses on assisting young woman with scoliosis. A few phone calls and some rapid negotiations later, and we were able to pull the people together to make a substantial commitment from proceeds of book sales this week. I’m always inspired by these types of projects. If this had been a commercial negotiation, it would have taken weeks. When there is something that truly matters, though, I find the people involved can get anything done in record time. I’m always reminded that it’s important to do some good while doing well. That made this particular TV appearance all the more engaging.

A total of 40% of the retail prices of all sales from the official Backstage Secrets site from March 8 through March 14 will be donated to Martha’s chosen cause, Curvy Girls Scoliosis.

I hope this makes your voyage through the Backstage Secrets all the more enjoyable. It sure did for me.

Sea Beneath: A Capsule Collection – Making Art Accessible to All

Experiencing art can happen in various forms. You can experience art on social media or through art books or on the walls of an art gallery. However, I have found there remains a certain inaccessibility to experiencing art, a missing opportunity that I refer to as the need for the democratization of art. You can either have a finite glimpse or, if you are fortunate enough to be a wealthy collector, you can buy an original edition—and I believe these worlds should and will always exist—but why can’t the majority of people also experience art in their home or at work or to gift to a friend?

As a photographer, I am a visual storyteller. My primary goal has always been to allow access to my photographs to as many people as possible in the hopes of creating an emotional reaction, challenging an existing perception of amplifying the beauty of a subject into a single moment, and, most importantly, to share the art and the message behind it. Therefore, when I was approached to make my art more accessible through a capsule collection, “Sea Beneath,” naturally, I was ecstatic. Quite simply, this project allows you to buy a high-quality, authorized photographic reproduction prints, with the choice from various sizes and the option to frame, and to receive the finished product within a few days—and all at a fraction of the cost of a fine-art limited edition piece. In my opinion, this is a great stride forward, a very personal way to share art-photography and my journey with everyone.

As those who know me or follow me on social-media have likely noticed, I engage in many social, charitable, and philanthropic projects. With this passion in mind, 10% of all proceeds from my ‘Sea Beneath” capsule collection will be donated to the Nomad Two Worlds Foundation (NTWfoundation.org), an organization that I founded in 2011, where I learned how water and the sea is a theme across all of our partner communities. The Nomad Two Worlds Foundation utilizes the arts to partner with marginalized and indigenous communities in the USA, Australia, Haiti, and soon to expand to other countries around the world. I have seen first-hand the great power of the arts in improving communication and understanding between different communities, building self-esteem, creating economic opportunity in impoverished communities, and other meaningful outcomes. Art is a language that we all speak, and its power should never be underestimated.

I hope that you will enjoy my “Sea Beneath” collection.

Art and Fashion – My Collage of 2016

It was one of those years where 2015 just somehow morphed into 2016, and I’m not sure when. I do recall standing on the white sandy shores of Western Australia when the fireworks went off, and then somehow, like I was teleported, my bare feet were suddenly planted back on the concrete floor of Pier 59 Studios in New York, camera in my hand. So, I am skipping my summary of 2015, and let’s just get on with 2016 - since it has already started anyway.

It’s a fascinating year for the worlds of fine-art photography and fashion. I once believed them to be independent of each other, however, I have revised my view on that to be that ’they are wholly dependent on each other’. As my fine art photography has been touring different parts of the world, the requests for me to shoot Vogue covers and other fashion stories have increased in equal proportion. In the last six months, I have shot more Vogue covers than the past three years combined, with several more about to publish and still more to shoot. It’s both cool and curious to see how closely related the fine-art and fashion worlds truly are. Although, when I consider the careers of Penn, Avedon and Newton, I realize that they moved seamlessly through the two worlds. So, I take encouragement and move ahead.

Like everybody else, I am increasingly mesmerized by the evolution of social media. In an interview this past year, I was asked if I thought social media would exist in marketing five years from now. I pondered that for a moment and I responded that it’s more likely that social media will be the only thing that exists in marketing five years from now. It continues to evolve at an astonishing rate. In fact, I don’t believe I ever held a hard copy of any of the recent Vogue covers I shot in my hand first - I first saw them all through social media. I talk often with those in the marketing sphere whose opinion I revere and the message is clear. Love it or hate it, we all need to understand social media from a social, marketing and business standpoint.

So, I look forward to sharing my next cover and next exhibition with you - on Instagram and Twitter @nomadrj.

And then, deep in my photo genome lives the art. ‘Angels’ fine-art collection has become increasingly in demand. Check the ‘Exhibitions’ listing on my page for detailed updates. ‘Angels’ takes wings to Paris and Mexico City this year. Some new pieces will be previewing in each city with some terrific special guest hosts. As always, anything due to me from the art sales will go directly to Nomad Two Worlds, the socially-conscious business and foundation that I started in 2012.

Spoiler alert, watch out for a special preview in New York this September of ‘Dark Angels’, an all-new exhibition and book. More on that soon!

However, my personal biggest news of 2016 is that the Nomad Two Worlds Foundation has taken great strides these past six months, thanks to an incredibly dedicated team that has formed around the mission. Like-minded people have encouraged me to think bigger and push harder. NTW Foundation has committed to continue our current grants to indigenous and marginalized based communities while rapidly developing new programs that we feel can have long-term and sustainable impact. If you have a minute, please watch the video to find out more about us. Art is a powerful language that can erase borders and build bridges to communities. I never cease to be amazed by the power of collaboration.

I am working with the NTW Foundation to host a major exhibition in Houston and New York this Fall that will feature collaborative art works and performances from several cultures.

Now let’s get on with 2016 before 2017 dates start appearing in the calendar.

All my best,

Russell

Adriana Lima – Art, Commerce and Friendship

In the world of creativity and collaboration, the words "It’s only business" don’t really hold true for me. I have found that my best artistic and business relationships have been underscored by partnership and trust – or perhaps more simply described as friendship.

The best example I can give is Adriana Lima. Our professional relationship started through the lens of a camera back in the year 2000. At the time I was certain that we were shooting the strongest images we ever would. How wrong I was. Each time I shoot Adriana she proves me wrong time and time again and just ups the ante.

The evolution of Adriana as a model has been quite spectacular. Our photographic collaboration spans advertising campaigns, editorial shoots, fine art exhibitions, special events - and of course our most recent cover for Vogue Mexico.

To me, the images we have created together have become markers in time, just like certain songs can remind me of an exact time and place in life. When I look back at my images of Adriana, I can not only recall the exact moment and place, but all the personal and profound events taking place in my life at that time. 

When we first started shooting together it was through the good graces of Victoria's Secret. From lingerie to swimwear, we travelled the world, shooting in places like Paris, Sardinia, Ibiza, St Barths, Miami, New York, and too many other places to now recall.  Our unique creative relationship has literally spanned the world.

As our lives evolved and we each had kids, we found ourselves also being more drawn to compelling social issues. Adriana was discovering the power of her own image, and how powerful it could be in the world of philanthropy. She also became a firm friend and supporter of Nomad Two Worlds, that was my passionate endeavor to better understand the ancient cultures around us and to create meaningful partnerships with them. Today it has also lead to the creation of Raw Spirit Fragrances, an entirely socially conscious company.  I am quite sure that Nomad Two Worlds would not have reached this point if Adriana had not leant her support at the time she did. I don’t think either of us suspected what our early playful shooting could lead to.

When Adriana agreed to shoot our first Donna Karan campaign together in 2012, it would lead to a new level of social engagement for both of us. Donna Karan had introduced us to the world of Haiti. We all agreed to shoot there to show ‘the other side’ of Haiti. The images of disaster that had flooded the world had also greatly slowed Haiti’s recovery. In partnership with people from Haiti we shot a campaign that was focused on the wonderful locations that many people didn’t know existed. 

Over the years I have seen Adriana become an amazing advocate for kids around the world through supporting hospitals, orphanages and always being first to put her hand up when she sees she can be helpful on a social issue. Adriana has become such an icon of our time, and her beauty runs way deeper than just the gorgeous photographs and films we are so lucky to see. She is a beautiful both inside and out. 

It is a cool and enjoyable irony that the brand that brought us together, Victoria's Secret, is still very much a part of our lives today. In fact, now more than ever. In 2014 Victoria's Secret hosted the first ever opening of my Angels Exhibition. And yes, Adriana was there to support me.

With Adriana I never know what the next shoot will be. Although I always know it will better than the last. She just keeps bringing it.

Raw Spirit – My Exploration of Art and a Socially Conscious Endeavor

What an incredible week it's been. Not only because we saw the official relent of Winter and onset of Spring here in New York, but a very special milestone was reached after a long collaboration and a lot of hard work from many amazing people. For me, it was the realization a long held socially conscious dream - the birth of ‘Raw Spirit Fragrances’.

For those who know my back story, there has been little that is conventional about the path I’ve followed, and I’ve always felt really humbled and grateful to an industry that has given me so many opportunities. So you can possibly imagine what an honor it was for me when the fashion industry’s leading fashion and beauty journal, Women’s Wear Daily, broke the news of Raw Spirit’s first ever advertising print and video campaign, that features the stunning Behati Prinsloo.

Raw Spirit is the culmination of a very special journey for me, both personally and professionally. From a professional standpoint, Behati and I have worked together on many projects over the last few years the years. Recently, we collaborated on a unique culturally inspired art project called Seminole Spirit.  The collaboration resulted in a highly acclaimed fine-art collection and gallery film which is now touring Europe, thanks to Camera Work and Nomad Two Worlds Gallery. Shooting in Seminole country was breathtaking enough, but watching Behati transform into a living metaphor for the strength, vision, beauty and cultural relevance I had witnessed from spending two years getting to know the Seminole Tribe really took things to the next level. 

So when Raw Spirit Fragrances started the search for an authentic ambassador, who not only looked the part but also felt the same connection, Behati was the perfect choice to represent the sustainably sourced fine fragrance line. After we’d worked together on Semonole Spirit last year, I knew Behati really embodied the name “Raw Spirit” and the brand mantra #unlocktherawspirit. ‘Bee’ is passionate about everything she does, and acts with great integrity and heart. When I approached Behati about Raw Spirit and its give back program, I think I know how nervous Adam Levine must have been when he proposed! She said yes thankfully, as I just couldn’t imagine anyone else for this.

We agreed to fly back to Seminole country to shoot the campaign, and be as close to mother nature as the brand name suggests. After pulling together a creative dream team including famed hair stylist Italo Gregorio and makeup artist Fulvia Farolfi, our collective imaginations ran wild. The resulting Raw Spirit campaign images and video really explore the spirit, energy and connection to nature we feel on those sacred lands, and the genuine ethos behind the Raw Spirit, which promotes sustainability, respect for culture and the environment, and the importance of giving back to the communities it works with.  

My goal for Raw Spirit is to demonstrate the exciting creative possibilities that arise from authentic collaborations with Indigenous and marginalized communities around the world. When ancient and modern cultures work in harmony together, I truly believe we take real steps towards reconciling our differences and finding common threads that connect us all. #unlocktherawspirit 

Angels and Spirits Cross the Atlantic

I am very excited to be heading back to Berlin shortly for the European launch of my fine art photography exhibition 'Angels' at my home gallery CAMERA WORK. Featuring some of the most stunning beauties of our time, 'Angels' will be showing at CAMERA WORK for six weeks from April 26th – June 6th, 2015. Co-hosting the launch event with me will be the divine Sara Sampaio (below), who is a significant subject in both the Angels book and fine-art collection.

I'll also be signing copies of my 304-page 'Angels' book, published in collaboration with renowned publisher teNeues, on April 25th at CAMERA WORK, so come and say hi if you are in the area!

'Angels' is my fifth fine-art book to date, and showcases a range of iconic supermodels, pop-culture idols and celebrities I’ve met during my career, including Rihanna, Gisele Bündchen and Karlie Kloss. As I mention in the introduction to the book, whilst shooting a nude photograph is technically easy, accepting the trust of a woman to be at her most vulnerable, and delivering a tasteful photograph in return that she herself can admire, is extremely difficult. As a result, I feel so privileged that all of the women I photographed for 'Angels' gave me their trust to reveal some of their natural beauty to the world.

From my perspective, 'Angels' is a celebration of female beauty in all its forms – ranging from the playfully feminine, soft and sensual at one end, to the confident and purely provocative at the other.

I am also extremely honored that CAMERA WORK is dedicating part of their gallery preview my 'Seminole Spirit' fine art collection. 'Seminole Spirit' is a unique artistic collaboration between myself, The Seminole Tribe of Florida and supermodel Behati Prinsloo, that recently premiered in New York and Aspen.

Working on 'Seminole Spirit' has also been a rare privilege. Over two years, I was granted special access to Seminole Lands, cultural sites and traditions, and introduced to a diverse cross-section of Tribal Members. I filmed, photographed and had extended conversations with Tribal Members in their reservations at Brighton, Big Cyprus and other Seminole Lands. I was very fortunate that Behati Prinsloo accepted my invitation join the collaboration too – she is a living metaphor for the strength, vision, beauty and cultural relevance I witnessed working on the project. After a revelatory interview with Chief Billie the artistic concept ‘Seminole Spirit’ was officially born.

'Seminole Spirit' is not intended to be a historical account. ‘She’ is a visual expression of what I feel when I am in Seminole Country. I believe that The Seminole Tribe of Florida are the most progressive and determined group of people I have ever met; their history of struggle, reinvention and adaptation is one of the greatest untold stories I have encountered. Their story deserves to be a source of global inspiration, and I love seeing both modern and ancient traditions being celebrated and living harmoniously side by side.

Russell James 
ANGELS Exhibition & SEMINOLE SPIRIT Preview Exhibition
April 25 to June 6, 2015 
CAMERA WORK 
Kantstrasse 149 10623 Berlin Germany

Seminole Spirit

In late 2012, I had the unique opportunity to be introduced to The Chief of The Seminole Tribe of Florida, James E. Billie. We met to discuss Nomad Two Worlds, an artistic project that I founded in 2001 as a way to collaborate with other cultures. However, our meeting soon turned into a compelling conversation that spanned many subjects. When I left Chief Billie a few hours later, I realized that I had just been given an extraordinary first hand insight into a powerful part of modern day history that likely few people knew about. I had just met with The Chief of The Tribe often and rightly referred to as 'The Unconquered’.

With the blessing of Chief Billie, I then embarked on a two-year exploration of The Seminole Tribe of Florida, with the goal of creating an artistic interpretation. I was granted special access to Seminole Lands, cultural sites and traditions. More importantly, I was personally introduced to a diverse cross-section of Tribal Members, spanning all clans. I filmed, photographed and had extended conversations with Tribal Members in their reservations at Brighton, Big Cyprus and other Seminole Lands. It became abundantly clear to me that the driving force behind The Tribe was their thriving culture. Instead of mere memories of a culture past, I clearly saw both modern and ancient traditions being celebrated and living harmoniously side by side.

However, I struggled to find a concept that could properly capture the essence of what I was experiencing. After hearing many accounts and perspectives of Seminole history, visiting historical sites, museums and spending time with spiritual leaders and cultural teachers, I still felt entirely unqualified to represent Seminole history in any way. In fact, having visited The Tribe’s museum in Big Cyprus, I could see that The Tribe have done a world-class job of preserving their history. What could I possibly add?

The answer presented itself during an interview with Chief Billie in 2014 in his chickee hut on Brighton Reservation. We had been speaking for a long time, and I had question on my mind that I had long refrained from asking him out of concern it may seem disrespectful. However, it simply felt right to ask at that moment, so I did. Why, after having several wars waged against them by the US military, and suffering devastating loss of human life that reduced The Tribe from eighty seven thousand to just three hundred, why was Chief Billie sitting in front of me as a US war veteran? Surrounded by people from many cultures that were a part of my film production team, I asked the question: Why would you possibly fight for a country that tried to wipe you out?

Chief Billie’s answer was consistent with the point of view of every person in The Tribe I had ever met:

‘We adapt and we move forward. We acknowledge the past but we don’t live in it. I am The Chief of My Tribe. I am an American. I am proud of both’.

After I sat with that answer for a while, I realized that Chief Billie had just recited all the reasons I had started Nomad Two Worlds back in 2001. His words resonated and reminded me of words broadcast around the world from Australia in 2008:

‘It’s time to move forward together’.

The Seminole Tribe of Florida is a living example of how the past and the present can be reconciled to create a better future - a lesson for an entire world in crisis.

From that moment on, I realized that I had no business trying to re-tell the history of the Seminole Tribe. In many ways, I would have been doing them a great disservice and inaccurately represent how they currently thrive in modern day society. So ‘Seminole Spirit’ was born: a metaphor for the past, present and future of The Seminole Tribe, and a symbol of true cultural relevance.

It is no secret that Behati Prinsloo is one of the most beautiful and relevant models in the world today. However, what inspires me the most about Behati is her obvious spirit and joy of just being alive. When I told Behati what I had learned about The Seminole Tribe and the journey I was on, she instantly agreed to become an artistic partner. Before my profound conversation with Chief Billie, we had assembled one of the best creative teams imaginable, and filmed and photographed concepts that were inspired by Seminole Lands. After my conversation with Chief Billie, I realized that we had unwittingly created a living metaphor to represent the strength, vision, beauty and cultural relevance of The Seminole Tribe of Florida. I called her ‘Seminole Spirit’.

‘Seminole Spirit’ is not a historical account. ‘She’ is a visual expression of what I feel when I am in Seminole Country. The Seminole Tribe of Florida are the most progressive and determined group of people I have ever met; their history of struggle, reinvention and adaptation is one of the greatest untold stories I have encountered. I believe their story deserves to be a source of global inspiration.

I’d like to say that ‘Seminole Spirit’ is all my own. However, that would be a great misrepresentation of the collaborative effort that was required to bring her to life. ‘Seminole Spirit’ is the collective imagination and inspiration of Behati Prinsloo, Ali Franco, Joyce Lanigan, Italo Gregorio, Fulvia Farolfi, Larry Mullin, Jim Osceola, Victor Tiffany, Tristam Steinberg, Ilias Fiakka, Trevor Owsley and so many more. I was just lucky enough to be a part of an amazing ensemble.

I am so humbled by the opportunity given to me by Chief Billie and The Seminole Tribe of Florida - it has been such an honor to experience their culture and witness how they have truly moved forward together.

The ‘Seminole Spirit’ exhibition will be open to the public in New York City on the following dates. I will be at the gallery often during this time and look forward to sharing my special journey with you.

Urban Zen (Stephan Weiss Studio)
711 Greenwich Street, New York NY

February 20 (10.30am to 4.30pm); February 23-26 (10.30am to 4.30pm); March 2-6 (10.30am to 4.30pm)

For those who cannot attend, the full collection is also available for viewing online at ARTSY.

Angels and Spirits 2015

What a year. Undoubtedly I will look back on 2014 as the year of ‘Angels’. Even though I had a variety of philanthropic and cultural art collaborations well underway throughout the year it was Angels Book preview in September at Donna Karan's Stephan Weiss Studio that began what would become the indelible mark of the year for me. Hosted by Victorias Secret, I was humbled by the turnout of friends and supporters that made for such an incredible launch. As the press and reviews poured in I thought there couldn't be more to come. However, on December 9th when the CBS Victorias Secret Fashion Show aired in the US and around the world it included a wonderful tribute to my long connection with the brand and the Angels Collection. I was deeply touched by the sentiments that were expressed in the segment by both long-time and recent friend alike. My kids are still coming to terms with my appearance on national TV in a bikini, however we are working through it well. We have since agreed that when it comes to ladies swim wear I should stick to a solid design and avoid prints as much as possible.

On December 19th my art year was brought to a very fitting conclusion. The Angels Fine Art Collection was celebrated by a private preview at Seminole Hardrock in Florida. I had the great pleasure to be joined by two stunning co-hosts who also happen to be very significant subjects in the Angels book and fine-art collection, Martha Hunt and Sara Sampaio . It was a wonderful way to end the art year with a very cool blend of friends from within The Seminole Tribe of Florida, Hard Rock, Martha, Sara and many of the people who I partnered with during 2014 and will continue to in 2015.

Angels Fine Art Collection is now set to make it’s official public debut at the prestigious 212Gallery from Feb 5 - March 5 in Aspen Colorado courtesy of the Gallery Founder and Atistic Director, Katie Kiernan. We have openings to announce in New York, Berlin and other cities soon after, however this opening at 212Gallery will be the first public outing and I am very excited to have the Angles collection be open to the public at last.

In the world of art and photography though it is always about ‘whats next’. In 2015 I have a significant what’s next entitled ’Seminole Spirit’, a Nomad Two Worlds art project that I have worked on for the past two years in collaboration with The Seminole Tribe of Florida and one of the most beautiful super-models of all time, Behati Prinsloo. Working on Seminole Spirit has been a rare privilege. My intention for the exhibition is to celebrate the spirit and amazing relevance of The Seminole Tribe. I could not have been more fortunate to have had Behati Prinsloo accept our request to join the collaboration. Behati is a living metaphor for the cool spirit and ideals of what I hope the art installation will project. Seminole Spirit launches at Stephan Weiss Gallery in New York on February 17th.

With 2014 just barely in the rearview mirror I wish you all a wonderful 2015 and an exciting ‘whats next’.

How 'Angels' Really Got Their Wings – Victoria's Secret Fashion Show 2014

As a freelance professional photographer I start each year with zero certainties. It is the heart and soul of being freelance in any creative profession. To become successful as a fashion photographer is a long hard road. However, it is a much greater challenge to stay relevant. To do so you need to become a hybrid of sorts. Not only must you have a rock solid history of delivering and accelerating on creative concepts, you must also be able to look down the road with a sense of creative prediction. You need be a part of defining what imagery will become rather than being a passenger. It is the hardest of all balancing acts and it tests your insecurities on a daily basis (oh yes we all have them!) If it was mathematics I would say the equation of being successful in the fashion industry is something like  ‘Fashion Photography = Experience + Relevance² (FP=E+R²). The moment you take your relevance for granted, or consider yourself essential you will find out (through deafening silence) just how ‘essential’ you actually were not. While fine art-photography allows for years of thought and curation, fashion is about right now and whats next. It is a zero tolerance world with very worthy competitors quite ready to step into your shoes at a moments notice.

Over the past decade it has been my great fortune to shoot backstage at the annual Victoria's Secret Fashion Show, one of the most dynamic creative environments imaginable.  And each year in the months leading up to the show the same question rattles around in the back of my head, “Will I be asked back?”

So when the President of Victoria's Secret and visionary for the Victoria's Secret Fashion Show, Ed Razek, called me six months ago and said, "The show will be in London and can you shoot on the plane over as well?” there was no way to play it cool and hide my enthusiasm. London meets Victoria's Secret Fashion Show is as good a creative proposition as it gets. And being asked back by one of the most relevant brands in the world is a very big deal.

So my note-to-self and anybody aspiring to succeed within the fashion industry. Is don’t ever, ever get comfortable with today.  Get out there and be a part of defining what tomorrow will look like. Your success depends on it. I look forward to watching the show with you on CBS December 9th at 10PM Eastern, 11PM Pacific. I have no idea if I will be shooting backstage in 2015. That will depend entirely on my relevance.

To see an ‘Angels’ Exhibition in 2015 keep an eye on Artsy.

Angels, Spirits and a Virgin Blogger

For all my friends who have already expressed their concerns that I speak way too much about far too little - things are about to get a whole lot worse. When I was told that the shackles of ‘122 characters or less’ had been cast off and I would have access to my own blog I hyperventilated. That said, I will try to constrain my literary meandering to at least be on topics related to photography, Nomad Two Worlds, recent and upcoming exhibitions and anything in the photography world that has really caught my eye recently. It will be hard to do but I'll give it my best.

Ironically, I am losing my blogger virginity by writing about ‘Angels’, my new book and fine-art editions preview that just happened in New York. As my friends can testify, I didn’t embark on my photography career with the notion that I would ever do a book and exhibition entirely focused on the subject of the nude. When I fell in love with photography more than two decades ago it really was a passion for photography spanning many worlds - ancient culture, portraits, landscapes, fashion, nudes and beauty were just a few of the genres that I loved. In fact, this broader interest in photography was quite nearly the demise of my career before it ever got started. Almost all the significant photographer agents in the world were concerned that I was not focused enough on any one specific category and they saw that as a marketing problem. Thankfully “almost all’ did not include one agent who believed in my diversity and in 1997 I was adopted by Bryan Bantry Agency. By having the belief of the right people at the right time I have been humbled and honored to have a career that has allowed me to publish a total of five solo books on subjects close to my heart. However, as long as people had any way record art in any way we have always had a great fascination with the beauty of the female form. I am no exception.

I have found no greater challenge than creating a nude photograph that the subject herself will pronounce ‘beautiful’.  It requires all the skills I have ever learned from creating very controlled technical lighting and conditions, deliberate composition and the hardest part of all, making an honest connection with the person in the photograph that will allow them to relax and partner in the process. The success of a nude shoot is based entirely on the trust level we reach and me having my act together behind the scenes on a technical level.

Through my many years working in fashion and beauty and especially with Victorias Secret I have had the great fortune to meet many of the worlds most beautiful woman. Over the past fifteen years some of us have found ourselves in wonderful places or ideal circumstances to do nude shoots. In the last couple of years I decided that I felt ‘ready’ to create a book entirely of nudes that would not be just ’nudes for nudes sake’. In the year before the book I was in a frenetic series of photo shoots any time I could with many of the greatest beauties of our time. To say I am lucky to work with people on this level would be a massive understatement.

Now the only nail biting I have left is actually waiting for the book to publish later in late October. At the opening preview I was stunned by the turnout of friends and supporters, many of whom travelled from around the world. I feel like I can’t write any names without writing them all, however the press came out in droves and did a wonderful job of capturing the night that was amongst the most special in my life. 

The next chance to see ‘Angels’ will be in In Miami in December during Art Basel, with Aspen to follow very early in the new year. Stay tuned to my website for full details if you might be in any of those areas and like to see it, and other exhibit location for 2015 to be announced soon.

My heartfelt thanks to everyone who came together to make ‘Angels’ a reality. I am filled with gratitude to all who made this possible, and most especially to those wonderful people who trusted me enough to be featured in the book. When I read the back cover of ‘who’ I have to pinch myself every time.  

It has been an extraordinary couple of years in terms of art projects and especially within my alter-ego, Nomad Two Worlds. One very special collaboration I have been working on with a highly potent creative team is a collaboration with The Seminole Tribe of Florida. ’Seminole Spirit’ has been nearly two years in the making and in the next few months we will be previewing the exhibit in the lead up to a full exhibition. The story behind it is one of the most motivating and progressive stories I have ever had the privilege to be informed about. I am very excited to share it and the preview and opening details will be updated in the next few weeks.

Has it been more than 122 characters yet? If so, I believe I can say I have lost my blog virginity! I am already looking forward to the next time...

Artsy and Nomad Two Worlds Gallery – Just Married!

For the first two years of its existence I thought that ‘Twitter' was something that happened to your eye if you had an inverted eyelash. So I guess it’s no surprise that it took me a while to figure out that Artsy was an absolute game changer in the world of art. Founded by Wendi Murdoch and her amazing art world partners, Artsy created THE place for artists and galleries to gather online. It caters to the most passionate and dedicated art collectors as well as for those who just want to know where and when upcoming shows will happen and to generally learn more about art. So it is an extraordinary honor for the Nomad Two Worlds Gallery to be asked to join the world of Artsy - effective today.

Nomad Two Worlds Gallery is not just home to my new ‘Angels’ collection, it is also home to the amazing Nomad Two World collaborations with Indigenous Australian, Native American and Haitian artists. Since 2008 we have collaborated on art in the spirit of reconciliation. Our exhibits have now been shown all over the world in New York, Berlin, Melbourne, Los Angeles and Washington to name just a few. I am really excited about the extraordinary talent who we will be able to showcase in the coming months through our new relationship with Artsy. Like everything in my life, I wish I could do it all at once and that it was all done yesterday, and the fact I have to sleep annoys the hell out of me because it feels like lost time. That said, on this launch of our Artsy relationship it will not only feature my new ‘Angels’ collection but also from today I will be able to begin sharing the works of the some of the amazing artists who are part of Nomad Two Worlds family.

First to be featured from the Nomad Two Worlds Gallery will be collaborative collections of Clifton Bieundurry ‘Tjapanangka Payirntarri’ of the Walmajarri People, Lance Chadd ‘Tjyllyungoo’ of the Nyoongar / Yamatji People, and Philippe Dodard of Haiti. Their powerfully messaged art openings have been attended by people from every walk of life; those from the most remote communities, to Heads of State, and everybody in between. The Nomad Two Worlds Gallery's approach is to showcase art that is accessible to all and tells a story that celebrates cultural diversity and promotes reconciliation. However, these wonderful collections launching today are just the tip of a stunning artistic iceberg. In the coming months we will be adding the works of Nathan Mundraby, Edwin Lee Mulligan, Rebecca Morgan, Reinold Clerisier, Pascal Monnin, Jamie Okuma, Sandra Okuma and other significant Indigenous and contemporary artists who make up the Nomad Two Worlds Gallery family.

Funds from art sold through the Nomad Two World Gallery goes directly to Nomad Two Worlds, our socially conscious business, Nomad Two Worlds Foundation and of course to the amazing artists themselves, many of whom live in remote or marginalized communities and who deserve far more acknowledgment for their work in preservation of culture than they currently receive. Whether presenting their works to The Queen of England, or to young kid in a remote community, it remains an honor to be in the company of such great talent. And if you really want to know ‘who’ we are then please take the time to view the video below that the founding artists of Nomad Two Worlds made together in 2009 (and see just how many people you may recognize). See you on Artsy!